All images are printed on Fujicolor Crystal Archive paper with gloss finish.
Mounted prints are attached to a non-acidic white core mountboard using PH7-70 conservation-grade, neutral pH, adhesive tape. As seen in the image below, the board’s white core is exposed on the 45° bevel edge, and is guaranteed not to fade over the lifetime of the print.
The image actually shows a double mount, where two pieces of mountboard with different-sized individual apertures are sandwiched together. The lower board’s aperture is about 3mm smaller than the print, helping to prevent unsightly gaps appearing between print and mount; the upper board has an aperture which is 14mm larger than that on the lower board, giving a 7mm border where the face of the lower board is exposed.
Double mounts showcase larger images perfectly, and when coupled with the ice-white mountboard face, any of our prints can become a centrepiece in your room. Our 6″x4″ prints, on the other hand, are much better suited to single mounts fitting a 8″x6″ frame.
All our mounted images are individually signed, and are backed by a single thickness of mountboard for extra stability. For a finishing touch, cellophane presentation bags keep dust and other contaminants out, so your mounted images arrive in as good condition as when they left our studio.